"The
Kiss" won the short-story prize in The European,
5 November 1992.
An exceptionally beautiful woman was riding
on a Spanish train, alone in her compartment, eating
an apple. Her barely visible reflection in
the window raced along past the landscape.
When she finished the apple she got up and
went into the bathroom to dispose of the core and,
glancing into the mirror, saw her face hideously
disfigured by scars, as if the flesh had been sewn
to the bones in patches. She touched it, found
it smooth and, holding the sink to steady herself,
leaned forward to peer at the reflection.
A jar no more remarkable than one of the rhythmic
bumps of the train wheels suddenly floated her loose
from the world, the wall pitched at her and she
plunged into the glass.
As soon as she could be moved she was flown
to New York, where she lay in a hospital bed with
bandages on her face.
Her friend came to visit her. "Dolores?"
"I'm here."
"You're all right."
"I know."
"Do you?"
"I can move everything. Unless it's
the drugs."
"It's all livid around your eyes. And
your lips. I can't see anything else.
When are they taking the bandages off?"
"I don't know."
"You'll be blue with bruises. Don't
be shocked."
"I don't think I will be."
"You look like a mummy."
Her friend came every day.
The doctor said, "You were lucky."
"Was I?"
"Your skull wasn't fractured. Your teeth
are OK. The cheekbone's healing nicely."
"It's been a lot of work for you."
"I feel I know you."
"It's a lot of operations in a short time,"
said her friend.
"We'll see what you look like soon," said
the doctor.
"I know what I look like."
When her friend was gone the doctor came in
again. "You may not be exactly like you were
before."
"How could I?"
He smiled. "Yes. You were beautiful."
"Aren't I beautiful any more?"
"No. You're not beautiful any more.
Think you can live with that?"
"I wish I could say I liked you. I wish
I could congratulate you on your honesty.
But you're suppressing the truth."
"Am I? I thought I was being blunt."
"You said I wasn't beautiful. What you
didn't say is that I am now positively ugly.
And ugliness is a force too, isn't it? It's
sort of the same. I will never walk into a
room again without people looking up and trying
not to stare."
"You mustn't think that. There are still
things we can do."
"But you can't grow new flesh. Can you."
"You'll want to look better than you do, certainly,
but that's how it is for most people. At least
the ones who come to me. Beauty is like money.
There's never enough."
"There was for me." She turned her head
aside.
He sat on the bed. "I've watched you
go through a lot. I know something about what
you are. No, that's not what I mean.
I'm not standing back and studying you. I
know that's how it must seem but I'm not.
I'm with you."
When her friend came back she said, "It's
going to be hard, Dolores. You were totally
absorbed by the way you look. I don't mean
in a bad way. You expressed yourself with
it. You were--beautiful. It was like
poetry is for me. An instant ally. I
love you, Dolores."
The doctor removed the bandages with a nurse
present and then sent her away. "It's all
swelling and sutures," he said. "You don't
want to see it."
"It hurts."
"I'm going to put you on a mild pain-reliever
and some anti-inflammatory until it goes down."
She smiled tightly. "How do I look?"
"Cynical."
The next day she felt her face with her hands.
"Here's a mirror," said the doctor.
"No thanks."
"Didn't you look when you brushed your teeth?"
"They took it away."
"You might want to try a little make-up."
She looked at him.
The mirror stood on a base on the bed table.
He pulled it closer. "I think you should."
She turned the mirror and tilted it toward
her. "My God. It's worse than I thought."
"It'll get better."
She watched herself changing the angle of
her head.
"You're well," he said. "You'll be leaving
tomorrow."
"Can I have my bandages back?"
"I told you," he smiled. "Make-up."
He bent toward her and kissed her. A
soft questioning kiss at first but when she let
him he pulled her to him by the small of the back
and lay her down with it.
She was still sitting up. He was pushing
the table away. When he did try she turned
her face and left him nuzzling the scar tissue by
her ear.
"That was a disgusting thing to do," she said.
He straightened up.
"You work too hard."
He smiled. "I was going to test your
lips."
Her friend came to visit her at home.
"You've got to get out of this apartment," she said.
"See some people."
"I'm in disguise. I don't belong anywhere."
When the doctor came to see her he said, "I
love you."
"That's nice."
"Is it?"
"You love a photograph. What I used
to be. That's gone."
"Your cynicism is a little too comfortable."
"Were you going to make love to me right there
in the hospital?"
"It happens. Usually it's nurses.
Where's Vivian?"
"Who knows. Vivian's a journalist.
The world exists as a kind of blur for Vivian."
"How does it exist for you?"
"As a closed door."
"The glamor of suffering."
"Stop looking at me. It's like seeing
myself in the mirror. You give me the creeps."
"We had a patient once at the hospital who
lost everything."
"Don't most of them?"
"His job. His wife. He was living
in poverty when he contracted cancer. They
took his leg off, and then his other one, but it
moved into his abdomen and they had to remove some
of his organs. They couldn't catch it all.
They put him on glucose and life-support systems
and kept operating. After a while there was
nothing left but his brain. It was in an aquarium
of temperature-controlled oxygenated plasma and
there was a computer to monitor his impulses.
He learned to signal it and we could do a read-out
and answer him. Do you want to die, we said.
He said no, life is liveable if you can manage to
simplify."
She smiled.
"Aha!"
"Don't get excited."
"Too late."
"Why? Because you think I'm your creature?
You should have done a better job."
"Women's standards of beauty are higher than
ours."
"It can't have anything to do with beauty."
"I need sleep. I don't get away from
the hospital much. Is there a bed I can use?"
"At least I've still got my body," she said
as she got in with him.
"It's white," he said. "Smooth."
"I feel like I'm wearing a mask."
"You move with the dignity of an animal."
While they were making love she said, "Did
you see my skull?"
"Do you love him?" said Vivian.
"What does that mean?"
"You know what it means."
"He's all I've got."
"You're getting afraid. It's boring."
"Maybe you shouldn't come here any more,"
she told the doctor.
He sat up in bed. "It wouldn't do any
good to tell you I love you?"
"It's nice to hear."
"I do."
"I'm not your patient any more."
"You think I'm--treating you?"
"I can tell when you're looking at me as a
lover and when you're looking at me as a plastic
surgeon."
"I deal with these structural things.
It's not so bad. Some movie stars marry their
plastic surgeons."
"They do better work."
"I made you this way so I could have you to
myself. I hope I didn't overdo it."
"I think you may actually believe that.
You're here because you feel--responsible."
"What do the motives matter? It's what
you do."
"I don't need you any more."
"Of course not. But haven't you noticed
how much you enjoy talking with me?"
She smiled and sat on the bed. "I don't
have any doors left to close on you. I'll
be defenseless. I'll be yours. One shouldn't
be anyone's."
"What's he like in bed?" said Vivian.
"I don't know."
"What do you mean, you don't know? You
sleep with him, don't you?"
"I mean I just--" She smiled and shook
her head. "I don't know."
"Oh dear."
She went to Vivian's apartment one day and
let herself in. In the kitchen she filled
a jug and watered the plants by the window.
Then she went into the living room and did the other
plants.
The bedroom door was closed. She paused
before it and saw them in bed. Vivian lay
on her back with her head to one side, thinking
about something. He kissed her breasts and
her sadness became sorrow, though she held his head
and looked down at him tenderly.
Dolores put the jug in the kitchen and left
quietly.